It's times like the Berlinale when you wish the day had 48 hours and things like school and work didn't exist: a world in which all you had to do was sit back in the red velvet seats of a cinema, armed with pocorn and ready to enjoy the screening of yet another brilliant film.
Sadly, this dream world is as far away from my reality as it could possibly be at this point in time. Final exams are inching closer and closer, and leisure has become I vaguely remember from Christmas break. But - enough with the whining, life is too short to waste it with complaints and self-pity! That in mind, I ventured out of the coziness of my apartment and into the snowy city to see what this year's Berlinale had to offer.
Apart from attracting esteemed figures of the international film industry, the Berlinale also serves as a great platform for up-and-coming film makers. I was able to watch Zona Sur (directed by Juan Carlos Valdivia), the first Bolivian film ever to be part of the Berlinale. While Zona Sur has already been screened at various international film festivals and can boast a number of award nominations, hispanic cinema remains underrepresented in our culture - which is a shame, considering the masterpiece that Zona Sur can rightfully be described as. I shy away from trying to summarize and analyze the film, since it's images and dialogues speak far louder than the written word can.
To find out more about the film, visit the official website.